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Showing posts with label Scrolls. Show all posts
Showing posts with label Scrolls. Show all posts

Wednesday, October 5, 2011

Dead Sea Scrolls Come Alive On Google

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AppId is over the quota

Google and the Israel Museum in Jerusalem have partnered to launch a new website that allows people the ability to view the Dead Sea Scrolls in detail. Host Audie Cornish talks with Jon Stokes, who writes about technology for Wired.com.

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AUDIE CORNISH, host: For 2,000 years, the Dead Sea scrolls were seen by no one. Today, they can be viewed by anyone with access to the Internet. Google and the Israel Museum in Jerusalem teamed up to put high-quality images of the scrolls online. Images of the relics - the oldest known copies of biblical text - went live on the Web last week. Jon Stokes writes about technology for Wired.com. He is also a scholar of biblical history. And he joins us from KALW in San Francisco. Jon Stokes, welcome to the program.

JON STOKES: Thank you. It's good to be here.

CORNISH: Now, the scrolls may be new to the Web, but they were discovered in 1947, and historical scholars have had access to copies and translations for decades. I mean, what's the big deal about having them online now?

STOKES: So, there's a long and kind of sordid and really interesting publication history behind the scrolls. Because if you're a scholar, you dig something up out of the ground that's brand new or you're assigned to work on something that hasn't been discovered, you might take, you know, a decade to publish this, to really get it in shape to publish it because this is your career. I mean, this is going to be your piece of immortality. You're going to be the guy that did the first critical edition of the Dead Sea Scrolls, you know, Isaiah Scroll or what have you. And so there was fierce scholarly competition and the work just dragged on and on and on and scholars got really frustrated at the delays; the wider scholarly community, because they said, hey, you know, this is a once in a generation kind of find and it's been, you know, 20 years and we haven't had access to this, especially not in the way that we want. So, when I was in grad school, there would be a special day in the semester and everybody would get excited because we would get to go and have an in-person look at some of the manuscripts that were in the University of Chicago's collection, or in Harvard's collection. And, you know, the students would sit and these things would be laid out for us and we wouldn't be able to touch them and you could look at them with a magnifying glass. But that was, like, you know, once or twice in my life that happens. Most scholars are lucky if you're able to just get your hands on a really good high-quality color copy of a text that you're working on. So, now this thing has been put online and anyone, you know, my daughter, you know, God forbid, decides to follow in my footsteps and try to become a humanity scholar or a historian, she'll have grown up in a world where she can get really, really close to these manuscripts in a way that almost nobody could.

CORNISH: How close will you be able to get. I'm trying to imagine - what will the scrolls look like online? Will you be able to zoom in on the material the way you can like Google Earth or?

STOKES: Yeah, that's correct. So, these were photographed at a 1,200 megapixel resolution. You know, so if you think about an eight megapixel camera. I mean, this is, you know, 10-Xed out or better. And you can scroll up and see the fibers, you know, and the particles in the manuscript.

CORNISH: Jon, you're a biblical scholar, so I have you ask: have you gone online and looked at the Dead Sea Scrolls and are you excited about the possibilities of what it means for your own work?

STOKES: Absolutely, absolutely. These are searchable. You know, I can actually search these, you know, by English translation. You know, I can go to a specific verse or a specific phrase and I can zoom in and I can attach comments to it. But, yeah, I mean, it's definitely the kind of tool that scholars need.

CORNISH: So, it's not the same as actually getting to touch it but it's the closest any of us are going to get.

STOKES: It's almost better. I mean, I've seen these things in person. And, you know, you look at them with a magnifying glass and it's almost better to be able to do the kind of really, really high-level zoom in and that's going to be incredible.

CORNISH: Jon Stokes is a technology writer and biblical scholar. He joins us from KALW in San Francisco. Jon Stokes, thank you so much for joining us.

STOKES: Thank you.

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Wednesday, September 28, 2011

TECHNOLOGY, Dead Sea Scrolls Post in Time for Rosh Hashanah

After spending centuries hidden in caves where they were accessible to no one, and decades on display in a Jerusalem museum where they were viewed by the few, the Dead Sea Scrolls arrived on the Internet today, where they can be seen by everyone.
Using technology from Google, The Israel Museum in Jerusalem has created an online exhibit for the scrolls, which were discovered in the Judean Desert in 1947, where they'd been hidden in 11 caves since 68 BCE. The scrolls have been on exhibit at the museum since 1965.
Display is interactive (click to enlarge). Source: Google blog
The exhibit is going live just in time to celebrate the beginning of the Jewish New Year, Rosh Hashanah, which starts at sunset on Wednesday.
More than just pictures posted to the Web, the exhibit is interactive. Not only can you zoom in and out on a scroll -- which is photographed at 1200 megapixels, almost 200 times the resolution of the average consumer digital camera -- but you can click on areas of Hebrew text in the scroll and get an English translation of it. Viewers may add comments regarding the documents that others can see and comment on, too. What's more, you can perform text searches on the scrolls.
The scrolls include the oldest known biblical manuscripts in existence. At the online exhibit, you can see:
The Great Isaiah Scroll. One of the original seven scrolls discovered in 1947, it is also the most complete and the longest at 734 millimeters (28 inches). It contains the text of the Hebrew version of the Book of Isaiah, known for its description of the End of Days: "And they shall beat their swords into plowshares and their spears into pruning hooks: Nation shall not take up sword against nation; they shall never again know war."The War Scroll. Also one of the original seven scrolls, this document describes the final war at the End of Days between the "Sons of Light" and "Sons of Darkness."Commentary on Habakkuk Scroll. Another of the seven found in the caves of Qumran in 1947, this scroll discusses religious politics of the day and the arrival of the Romans on the scene. No historical figures are mentioned by name, but there are allusions to characters such as the Teacher of Righteousness,"the Wicked Priest," "the Man of Lies," and others, whose identities haven't been determined.The Temple Scroll. Discovered in 1956, this scroll is written on the thinnest of parchments -- 0.10 millimeter thick -- and purportedly provides the details of God's instructions to Moses regarding the construction and operation of the Temple.The Community Rule Scroll. This is a sectarian document, also part of the 1947 find, that sets down community rules such as admission of new members and conduct at community meals.
Great Isaiah Scroll. Source: Google blog
The Dead Sea Scroll project is part of a larger effort by Google to bring important cultural and historical collections to the Web, according to Eyal Miller, of Google New Business Development, and Eyal Fink, a software engineer at the Israel Research and Development Center. Other similar projects Google has participated in include the Yad Vashem Holocaust photo collection and collections at the Prado Museum in Spain.
"We are thrilled to have been able to help this project through hosting on Google Storage and App Engine, helping design the web experience and making it searchable and accessible to the world," Miller and Fink wrote in a Google blog. Google technology provides similar access to exhibits at the J. Paul Getty Museum in Los Angeles.